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Tuesday, October 27, 2009

All the Best 2009





Shooting Locations (City & Country)
Goa (India)
South Africa

Shooting Studios
Filmistan

Producer
Ajay Devgan

Executive Producer / Co-Producer
Kumar Mangat
Vikrant Sharma

Director
Rohit Shetty

Star Cast
Ajay Devgan...... Prem Chopra aka 'Chopdu'
Bipasha Basu...... Jhanvi Chopra aka 'the fitness trainer' / Hututu
Fardeen Khan...... Veer aka 'Faadu rockstar'
Sanjay Dutt...... Dharam Kapoor aka 'tharki'
Mugdha Godse...... Vidya aka 'the vaastugiri expert'
Asrani...... 'Vidya aka Psycho daddy'
Mukesh Tiwari...... Chauthala aka 'Bade Bhaiya ka chamcha'
Ashwini Kalsekar...... Mary aka 'Mehboob aaya'
Johny Lever...... Tobu aka 'the dumb mafia'
Sanjay Mishra...... Raghu aka 'Raghunandandas Govardhandas Vakawle'
Vijay Patkar...... Goli aka 'Tobu ki aawaaz'
Atul Parchure...... Dhondu aka 'Pareshaan Driver'
Shereveer Vakil...... Drummer
Puneet Vashist...... Kris
Robin Bhatt...... Doctor
Shraddha Musale
Subhash Pradhan
Ashish R Mohan




Sometimes, we laugh at movies. At times, we laugh in movies. Thankfully, ALL THE BEST, helmed by Rohit Shetty, belongs to the latter type.

ALL THE BEST makes no claims of catering to the intelligentsia or the elite. Instead, it's aimed at those who want to spend two hours of their precious life flexing their facial muscles. ALL THE BEST is for those who expect fun and laughter unlimited in those two hours. This one makes you smile, laugh, even break into a guffaw at times.


The jokes and the goings-on may appear silly, but who cares! As long as one feels positive and wears a smile on the face even after the show has ended, nothing else matters.

Comedy is serious business and Rohit Shetty is a pro at this genre now. This time, the talented director seeks inspiration from RIGHT BED, WRONG HUSBAND and what works to the advantage are two factors - the written material and the right casting. Both are just right!

From time to time, it has been noticed that some films are made with the motive of keeping you entertained. ALL THE BEST is one of those films. Go, have a blast this Diwali!

Veer [Fardeen Khan], a singer by profession, is greedy of extracting extra pocket money from his brother Dharam [Sanjay Dutt], a business-honcho. Veer lies to Dharam that he has got married and his friend Prem [Ajay Devgn], a concept car expert, lends a helping hand in cooking up this alibi.

Veer is in love with Vidya [Mugdha Godse], but has qualified in the hate list of her father. Prem is happily married to Jhanvi [Bipasha Basu], who takes care of his ancestor's outdated gymnasium. Veer and Prem land up in debts as they had opted for a short-cut to earn easy money.

The two get into a bigger soup when Dharam pays a sudden visit to their place. Time does not give a chance and unavoidable circumstances arouse such situations that Prem's wife Jhanvi is mistaken for Veer's and Veer's girlfriend for Prem's.

Like his previous films, director Rohit Shetty rests the story on multiple characters, with a dozen odd actors in supporting roles. With so many characters in the film, it generally tends to get confusing, but ALL THE BEST has an easy-to-comprehend story and a trouble-free and uncomplicated screenplay [Robin Bhatt and Yunus Sajawal].

Ten minutes into the film and you know that ALL THE BEST is all about mistaken identities. But the proceedings actually take off when Sanju enters the scene. That's when you get drawn into this madcap world completely.

A number of sequences are howlarious. Note Johny Lever's intro. Ditto for Sanjay Mishra's track. Also, when Johny Lever regains his voice - towards the climax - it's sooooo funny. On the flip side, the pace drops in the middle of the second hour. Also Pritam's musical score is uninspiring and the songs act as speed breakers.

Rohit Shetty is in top form and his team of writers, Robin and Yunus, contribute enormously in making this film watchable. Dudley's cinematography is perfect. Farhad - Sajid and Bunty Rathore's dialogue are very much in sync with the mood of the film. In fact, a few one-liners are extremely witty.

Sanju portrays his part well. His sequences with Ajay are truly fantastic. But the show-stopper is undoubtedly Ajay, whose comic timing is only getting better. He plays to the gallery completely and delivers a sparkling performance. Fardeen needs to loosen up, though he makes a sincere attempt. Bipasha is sweet, while Mugdha doesn't get much scope. Amongst supporting actors, Johny Lever and Sanjay Mishra are in terrific form. Mukesh Tiwari, Vijay Patkar, Ashwini Kalsekar and Atul Parchure lend credible report.

On the whole, ALL THE BEST is fun and laughter unlimited. At the box-office, the festive period coupled with the solid track record of Ajay Devgn and Rohit Shetty and also the strong merits will ensure ample footfalls at cineplexes, making its investors laugh all the way to the bank. Recommended!


Thursday, October 22, 2009

Main Aurr Mrs Khanna







Producer
Ronnie Screwvala
Sohail Khan

Executive Producer / Co-Producer
Deven Khote
Zarine Mehta
Siddharth Roy Kapur
Sanjay Ahluwalia
Vikas Bahl

Director
Prem R Soni

Star Cast
Salman Khan...... Samir Khanna
Kareena Kapoor...... Raina Khanna
Sohail Khan...... Aakash Khanna
Preity Zinta...... Haseena Jagmagia (Special appearance)
Bappi Lahiri...... Victor Sir
Yash Tonk...... Harsh
Nauheed Cyrusi...... Neena
Mahek Chhal...... Tia Roberts
Deepika Padukone...... Raina (Special appearance)
Dino Morea...... Sanjay (Special appearance)


Characters:

Salman Khan: Samir
Traditional to the core, he hates the thought of his wife going to work. For he staunchly believes that it's the man's duty to be the primary bread earner of the family. He also feels success and wealth are two main things to lead a beautiful life.

Kareena Kapoor: Raina
Brought up in an orphanage she thirsts for love and finds it in Samir. Her belief in their love never wavers for she knows that's it's not money but love, loyalty and support that makes life beautiful.

Sohail Khan: Akash
Boisterous and flirty, he's the kind who falls in love every minute. Till he meets Raina, and knows this time it's for real and wants it to be forever. And for him, it's friendship, laughter and freedom is what makes life beautiful.

Synopsis

An international airport is an unmatched location for human drama. As planes arrive and take off, so do people carrying their baggage of emotions, tensions and unresolved conflicts.

Our three protagonists - Raina, Samir and Akash - are three such people whose lives entwine at an international airport. Here the three find themselves in transit - at the crossroads of life where each has to make a decision that will change their lives forever... Samir (Salman Khan) has to decide whether he wants to stay in the same city that gave him so much and then took away everything...or fly away to a new city ...a new life ... Raina (Kareena Kapoor) has to decide whether her love and loyalty for her husband, who left her to peruse success is more justified, than her faith and trust in her new found friend... Akash (Sohail Khan) has to decide whether what he feels for a married woman is lust or true love...and whether he's justified in trying to win her at all costs...even at the cost of her marriage...

Three people coming to terms with their conflicting feelings, personal and psychological problems and the overriding emotion - LOVE....set against the hustle and bustle of an international airport...

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Wednesday, October 21, 2009

ACID FACTORY








Producer
Sanjay Gupta

Executive Producer / Co-Producer
Gary Van Shipley

Director
Suparn Verma

Star Cast
Fardeen Khan
Dia Mirza...... Max
Irrfan Khan
Manoj Bajpai
Dino Morea
Aftab Shivdasani
Danny Denzongpa
Neha
Gulshan Grover
Vida Samadzai...... (Item number)

Story / Writer
Sanjay Gupta
Suparn Verma

Our memory is the source of all emotions. It is also the source of our guilt. What if a killer would wake up one day with his memory erased? Would his crimes cease to exits? What if an innocent wakes up one with his memory erased and perceives himself to be a criminal? Would that change his perception of reality?

Faltering memory continually alters the constancy of truth. Short term memory loss denies you of an identity throwing you into an abyss of excruciating agony.

Acid Factory is about a group of characters whose sense of past has vanished in a haze of coma like they have woken up from sleep only to discover that reality could be a figment of their imagination.

Their sense of right or wrong is heightened by this state of complete distrust and self-righteousness. As the story reveals through the hazy mist of confusion confounded by loss of memory, the audience is just shown the tip of the iceberg.

A high-octane thriller where every second counts and every flash of your past is either a step towards realization of the true self or the horror of the discovery of who you really are. And then the games begin as our characters start to create stories just so that they can stay in the right but what if a roomful of people realize the majority is evil?

Wouldn't your instinct of survival dictate you to renounce yourself to evil to survive? Acid Factory plays out as a thriller, a morality play on the inside and a cat and mouse chase on the outside.



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Sunday, October 18, 2009

BLUE ( 2009)






Producer
Dhillin Mehta

Director
Anthony D'Souza

Star Cast
Sanjay Dutt...... Sagar
Akshay Kumar...... Aarav
Katrina Kaif...... Nikki
Lara Dutta...... Mona
Rahul Dev...... Gulshan
Zayed Khan...... Sam
Kabir Bedi
Kylie Minogue


Roll out the red carpet.
Blow the conch shells.
Beat the drums.
It's time to pop champagne...

BLUE, the most awaited movie of the year, with its canvas as huge as the ocean, comes alive on the Hindi screen this Friday. Like every biggie, this one also comes with the baggage of monumental expectations. With tremendous hype surrounding it, the inescapable question that crosses your mind is, will BLUE live up to those colossal expectations?

Write your own movie review of Blue
Let me keep it concise and to the point. You haven't watched something like this on the Hindi screen before. Never ever!

It requires courage, willpower, fortitude, vision and of course, the financial backing to accomplish a project of this magnitude. And debutante director Anthony D'Souza puts his skills and the financial resources to best use. BLUE is not merely a stunning looking film, it's also a well structured film. Most importantly, it's a solid entertainer that packs in so much in those 1.58 hours.

Final word? Go, grab a ticket, if you haven't booked one yet. This under-sea treasure hunt is a kickass film. A must-see for all those who love adventure flicks.

BLUE is set in the sun-soaked white sand beaches of Bahamas. Sagar [Sanjay Dutt] is a simpleton, while his friend Aarav [Akshay Kumar] is a rich, ambitious businessman.

Sagar's brother Sameer aka Sam [Zayed Khan] has inadvertently managed to rankle the mafia in Bangkok [Rahul Dev]. He flees Bangkok and arrives in Bahamas. But the dangerous men reach Bahamas too. Sagar is the sole person who can bail him out from this crisis, but to save his brother, Sagar has to wrestle with the ghost of his dead father.

If you're a die-hard moviegoer, you'd draw parallels with a lot of international projects [especially THE DEEP] that were set in the ocean. In Bollywood, flashes of the Dharmendra - Jeetendra starrer SAMRAAT cross your mind instantaneously, but comparing the two is akin to comparing chalk and cheese.

BLUE grabs your attention from its opening titles itself. The marine life, which you may've watched on National Geographic Channel or Animal Planet, comes alive in all splendour at the start itself.

The story is uncomplicated and Anthony D'Souza garnishes it beautifully. If the aquatic life keeps your eyes wide open, the action sequences are sure to make your jaws drop to your knees. The bike chase at the start, yet another chase subsequently, the chase soon after the interval [atop a running train] is simply astounding.

Anthony's expertise comes to the fore in several sequences. One sequence that needs to be singled out is when Sanju narrates the tragic past, how he was responsible for his father's death. It's simply incredible!

Major portions of the film have been filmed in the ocean and you can't stop admiring and appreciating the enormous contribution of the underwater cinematographer [Pete Zuccarini]. The lighting in those sequences deserves special mention. Also, the underwater sequences, which feature aquatic life like puffer fish, stingrays and sharks, hold tremendous appeal. Cinematography [Laxman Utekar] is gorgeous.

On the flip side, the climax could've been more impactful. The villain's track looks cliched, but you tend to overlook the minor aberration since the film never falls prey to mediocrity.

Anthony D'Souza is a director to watch. This film has style as well as substance. Also, it requires courage and conviction to think out of the box and most importantly, execute the material with panache. There's not much scope for music in an action thriller, yet A.R. Rahman's score suits the requirements. The Kylie Minogue track - 'Chiggy Wiggy' - is already popular. Sanju and Lara's romantic track - 'Aaj Dil' - is sensuous. The song at the end credits - 'Fiqrana' - has a lot of energy.

Sound design [Resul Pookutty] is fantastic. Action scenes [James D. Bomalick and R.P. Yadav] are a treat and, in fact, one of the mainstays of the film. Dialogues [Mayur Puri] are effective, while the screenplay [Anthony D'Souza and Jasmine D'Souza] is well thought-out, especially towards the second hour.

Sanjay Dutt carries his part well, although he looks very well-fed in some scenes. Akshay Kumar steals the show with a sterling performance. This would easily classify amongst his best works. Zayed Khan is highly competent. This, despite the fact that he's sharing the screen space with two hugely experienced actors.

Lara Dutta has never looked so good before. Though the story revolves around the guys, you can't overlook Lara's small but significant contribution to the film. Katrina Kaif [sp. app.] looks gorgeous and performs exceedingly well. The feminine charm [at the start specifically] would send the youth in a frenzy. Rahul Dev is first-rate. Kabir Bedi is hardly there.

On the whole, BLUE has style as well as substance. The film has everything going in its favour, right from its incredible star cast to the superb action scenes to the hitherto unseen marine life to the tremendous hype and hoopla. At the box-office, BLUE will strike like a hurricane in the festive week. It should set new benchmarks in days to come. In short, the business will be humungous.


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Monday, October 12, 2009

Do Knot Disturb


Director


David Dhawan


Star Cast


Govinda...... Raj
Ritesh Deshmukh...... Gobardhan
Sushmita Sen...... Kiran
Lara Dutta...... Dolly
Sohail Khan...... Diesel
Ranvir Shorey...... Nunu
Rajpal Yadav
Himani Shivpuri...... Gobardhan's mom
Rituparna Sengupta
Manoj Pahwa...... Bantu
Satish Kaushik
Raja Bundela
Sheela David


David Dhawan has always made wacky and bizarre films and his new baby DO KNOT DISTURB doesn't push the envelope either. His critics may term his cinema outlandish and outrageous, but the fact is that his films cater to the aam junta. His mantra is simple: Haso aur hasao.

Now let's analyse DO KNOT DISTURB, inspired by the French film LA DOUBLURE aka THE VALET [2006]. David has tackled extra-marital affairs in his earlier films like SAAJAN CHALE SASURAL, GHARWALI BAHARWALI and BIWI NO. 1. DO KNOT DISTURB also talks of a married man having a torrid affair with a supermodel, but it's not remotely similar to his past endeavours.

Actually, DO KNOT DISTURB rests on a thin plot and David relies on gags and jokes to keep you hooked for those 2 + hours. Even though you realise that there's not much meat in the story, even though the situations are silly, you remain glued to the proceedings because it keeps you in splits thanks to the funny jokes and the weird characters.

So what's the verdict? DO KNOT DISTURB is sure to keep you smiling from start to end. A few portions may even prompt you to laugh aloud or break into a guffaw. If non-stop mindless entertainment is on your mind, this recipe is just for you. Do Knot miss this one!

A filthy rich businessman [Govinda], married to a beautiful and sophisticated woman [Sushmita Sen], tries to hide his extra-marital affair with a supermodel [Lara Dutta]. To save his skin, he bribes a waiter [Ritesh Deshmukh] into pretending to be the supermodel's boyfriend. What follows is a series of mistaken identities and misunderstandings.

David Dhawan opens his cards at the very outset. The emphasis is on comic situations, while the story goes out of the window after a point. You don't mind it purely because the motive, like always, is to keep you in splits and DO KNOT DISTURB succeeds to a large extent.

At the same time, writer Yunus Sajawal takes a long route to reach the culmination. The Ranvir Shorey dual role sequence, for instance, seems unwarranted. Also, Sohail Khan's portions looks forced in the narrative. Even otherwise, the post-interval portions are very lengthy, although the comic scenes compensate for the deficiencies in the writing.

David Dhawan is the Big Boss of laughathons and DO KNOT DISTURB proves his supremacy yet again. You may argue that the goings-on are plain ridiculous and ludicrous, but the entertainment quotient is so high that you ignore the weak plot gradually. Nadeem-Shravan's music is pleasant. The songs are well filmed too. Vijay Arora's cinematography is excellent. Dialogues [Amit Aryan] are first-rate. In fact, a few one-liners actually bring the house down.

Govinda is matchless in a David Dhawan film and DO KNOT DISTURB confirms this fact yet again. In fact, there are certain parts that only he can portray and David taps that potential to the fullest. Watch Govinda when he suddenly starts speaking in a female voice during the Ranvir Shorey episode. It's howlarious!

Ritesh Deshmukh is superb. Matching Govinda in scene after scene is next to impossible, but Ritesh stands on his feet all through. His scenes with Lara also are thoroughly enjoyable. Lara Dutta springs a pleasant surprise. Known for glamorous roles uptil now, she handles the comic act extremely well. Also, she looks sensuous in several scenes. Sushmita Sen is wonderful, though she gets limited scope to prove her mettle.

Sohail Khan's role is sketchy, hence it doesn't make an impact. Ranvir Shorey is excellent. Manoj Pahwa and Rajpal Yadav are amazing in their respective parts. Himani Shivpuri is alright. Rituparna Sengupta is hardly there.

On the whole, DO KNOT DISTURB is a mass entertainer that keeps you entertained and smiling/laughing in most parts. At the box-office, this one lives up to the hype and expectations and that in turn should reflect very strongly in its business.

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Sunday, October 11, 2009

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WAKE UP SID






Producer

Karan Johar
Hiroo Johar

Executive Producer / Co-Producer

Apoorva Mehta

Director

Ayan Mukerji

Star Cast

Ranbir Kapoor...... Sidharth Mehra
Konkona Sen Sharma...... Aisha
Rahul Khanna...... Kabir Chowdhary
Anupam Kher...... Ram Mehra
Shikha Talsania...... Laxmi
Supriya Pathak...... Sarita
Namit Das...... Rishi
Kashmira Shah...... Sonia
Rahul Pendkalkar
Shruti Bapna
Kainaz Modiwal



Characters:

Wake Up Sid Ranbir Kapoor: Sidharth Mehra
That's me! Well, Sidharth Mehra really but everyone calls me Sid. I'm just a regular guy, I guess. I just finished college and have no idea what the heck I'm doing next. No one told me that I had to have a plan, so I never made one! If you ask me, the world would be a much better place if we all just slowed down and learnt to take it easy sometimes. That's kind of what I'm doing these days... just taking it easy... hanging with my buddies, watching TV, eating, sleeping, dreaming... that sort of thing, you know?

Konkona Sen Sharma: Aisha Bannerjee
God, there's so much to say about Aisha... She's new to Mumbai, and completely infatuated with the city. She left everyone and everything she knew in Kolkata to go after her dream of becoming a writer for this cool urban magazine called Mumbai Beat. She's creative, ambitious, focused, driven, brave... phew, basically everything I'm not!

Anupam Kher: Ram Mehra
Dad and I have nothing in common, really. He owns a company that manufactures bathroom fittings. Their speciality: these horrific gadgets called Flower Showers! They're exactly what they sound like-showers that look like flowers. I wish I was kidding, but I'm not. And now, he wants me to join the company! How am I going to get out of this one?

Supriya Pathak: Sarita
Mom has three obsessions: Watching TV serials, nagging me, and trying to learn English. I don't know which one bothers me more! But she's sweet, and always gives me money, even when dad tells her not to. And her Rajma Chawal is to die for!

Namit Das: Rishi
Rishi and I have been buddies since KG, and he hasn't changed one bit. He's always in love and always getting his heart broken. His current "true love" is Neha. They met on the first day of college, and have been obnoxiously stuck at the hip ever since. I don't get this 'love' business at all! Quite frankly, I feel like punching him in the face when he gets all mushy. We've had some great times together though.

Shikha Talsania: Laxmi
Laxmi is one of my best friends, though her best friend is food! I don't think I've ever seen her not eating. I swear! She's either munching on something, or talking about eating, or planning her next meal... how she manages to find time to study and top our class every year, I have no idea!

Wake Up Sid Synopsis

This is the story of Sidharth Mehra (Ranbir Kapoor), a lazy, unmotivated slacker from Mumbai whose life undergoes a series of changes after taking his final year college exams. Sid's world is breezy, carefree, and without any true responsibilities. The most important elements in his life are his friends, his camera, his car, and his X-box 360.

Sid thrives around his two best friends, Rishi (Namit Das) and Laxmi (Shikha Talsania), very rarely communicates with his mother Sarita (Supriya Pathak) and takes his father Ram Mehra (Anupam Kher), and all his hard earned wealth for granted. Despite all these traits, Sid is an honest boy; sweet, funny, and above all, a good friend. Aisha Bannerjee (Konkona Sen Sharma), an aspiring writer from Calcutta, learns this soon enough when her path crosses with Sid's on her first day in Bombay, Ambitious, well-read, and driven, Aisha has come to Bombay to realize her dreams as a writer. Despite their contrasting personalities. Sid becomes Aisha's first friend in the city.

As Aisha sets up her life in Bombay, with the help of Sid and his gang, Sid allows for time to fly by over long drives, parties that stretch well into dawn, and endless hours doing absolutely nothing. But summers vary rarely dull these days and Sid's summer is no different. A series of circumstances and events compel him to take stock of his life and take a hard look at himself. Will he, at some point figure out what he's supposed to be doing with his life?


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Friday, September 25, 2009

WANTED




DirectorPrabhu Deva

Star Cast
Salman Khan...... Radhe
Ayesha Takia Azmi...... Jhanvi
Mahesh Manjrekar...... Inspector Talpade
Anil Kapoor...... Special appearance
Govinda...... Special appearance
Prabhu Deva...... Special appearance
Inder KumarGovind Namdeo...... Commissioner Ashraf Khan
Wanted 2009 Hindi Movie Watch Online Full Movie
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Thursday, September 24, 2009

Dil Bole Hadippa 2009











Cricket, like Bollywood, is an addiction for a wide majority of Indians. DIL BOLE HADIPPA tries to capture the spirit of the game and the aspirations of a sportsperson, who's keen to play for her pind. On paper, the concept, which bears an uncanny resemblance to SHE'S THE MAN, sounds interesting, but the problem is its writing, which is tame and mediocre.

Let's elaborate. The plusses, first...
It's mandatory for cricket-based films like LAGAAN and VICTORY, which conclude with a cricket match, to have a thrilling finish. DIL BOLE HADIPPA too has a awe-inspiring end.
Also, the story of an ordinary girl who aspires to play cricket for the national team is motivating, with Rani Mukherji handling her part with complete understanding.

Write your own movie review of Dil Bole Hadippa
But there's a flipside too. The romantic moments between Rani and Shahid Kapoor lack fizz. Even the assorted characters in the film, like Sherlyn Chopra, Vrajesh Hirjee and Rakhi Sawant, contribute nothing to the film. They're mere props.

Final word? You expect DIL BOLE HADIPPA to score a century, like several films churned out by Yash Raj. But it settles down in the half-century range. Strictly average!


Veera [Rani Mukherji] is a fire-cracker of a girl who lives in a small village, but chases big dreams. She works in a local theatre group, but dreams of playing cricket in the big league. Yes, believe it or not, she wants to play with Tendulkar and Dhoni for India.

While Veera dreams on in India, Rohan [Shahid Kapoor] is an accomplished captain of a county cricket team in England. Rohan returns to India to captain his father's cricket team, which has been losing consecutively for the last 8 years.

In a village where girls don't play cricket, Veera has to put on a turban and beard and become a man to fulfil her dreams. Her brilliance on the field earns her a place in Rohan's team and Veera Kaur becomes Veer Pratap Singh. But what happens when the secret is out?

DIL BOLE HADIPPA has a patchy script. It's interesting initially, but takes the beaten path later. Rani's obsession for cricket is well established at the outset. So is the friendship between Anupam Kher and Dalip Tahil [who heads the Pakistani team]. Also, the initial scenes between Anupam and Shahid are well integrated in the story.

The film shows promise when Rani transforms from Veera to Veer. All this happens in the initial 20-25 minutes, but the story comes to a screeching halt thereafter.

Problem begins... Shahid loses his heart to Rani and the film suddenly turns into a love story. Sherlyn surfaces in between to spice up the proceedings, but nothing happens. The conflict during the finale - when Shahid learns the truth - doesn't make the desired impact either. Even the re-emergence of the mother [Poonam Dhillon] in the story looks like a complete compromise from the writing point of view.

However, the match between the Indian and Pakistani teams in the climax is well executed and though the viewer is well aware what the ending would be, it keeps you hooked nonetheless. Unfortunately, the final speech by Rani [after the match is won] is outright predictable. The film would've benefitted with an innovative end.

Anurag Singh shows sparks of brilliance at times, but how one wishes the debutante director and his writers would've come up with a solid script. Pritam's music doesn't help either. Barring the title track, the balance songs are plain average. Cinematography is nice.

DIL BOLE HADIPPA belongs to Rani and as always, she delivers a sparkling performance as Veera as well as Veer, carrying both the roles effortlessly. Shahid plays second fiddle to Rani, which is very surprising. Nevertheless, he enacts his part well. Anupam Kher and Dalip Tahil lend decent support. Poonam Dhillon has nothing to do. Rakhi Sawant and Sherlyn Chopra are wasted. Vrajesh Hirjee is passable. Shri Vallabh Vyas does well.

On the whole, DIL BOLE HADIPPA is an ordinary fare. At the box-office, the film has some chances in North mainly thanks to the Punjabi flavour. The holidays ahead may help its prospects at plexes essentially, but the single screens will be dull.

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